Twentieth-Century Music Vol. 10 Issue 02

Twentieth-Century Music

New Content Alerts
Journal Widget About Widget
Rss
Atom

Table of Contents - Volume 10 - Issue 02 - Sun Sep 01 00:00:00 BST 2013

View Table of Contents as PDF
View Cover
Forward TOC

Previous Issue

Select All
Deselect All

View Selected Abstracts
Save to My Saved Articles
Export Citation (s)
Download PDF (s)

Add to Basket

Notes on Contributors

Notes on Contributors Notes on Contributors

false

preview

Abstract
Article Structure
Figures and Tables
References

Twentieth-Century Music / Volume 10 / Issue 02 / Sun Sep 01 00:00:00 BST 2013, pp 167 - 167

DOI: http://dx.doi.org/10.1017/S1478572213000108 (About DOI), Published online: Mon Aug 12 00:00:00 BST 2013

Post a Comment

Name *

Your Position and Institution

Email *

Would you like to receive email updates for comments posted on this article?

Comment * characters remaining

Abstract
PDF (37 KB)
HTML (6 KB)
Request Permissions

Articles

Witold Lutosławski and the Ethics of Abstraction Witold Lutosławski and the Ethics of Abstraction

false

preview

Abstract
Article Structure
Figures and Tables
References

LISA JAKELSKI

Twentieth-Century Music / Volume 10 / Issue 02 / Sun Sep 01 00:00:00 BST 2013, pp 169 - 202

DOI: http://dx.doi.org/10.1017/S1478572213000017 (About DOI), Published online: Mon Aug 12 00:00:00 BST 2013

Post a Comment

Name *

Your Position and Institution

Email *

Would you like to receive email updates for comments posted on this article?

Comment * characters remaining

Abstract
PDF (587 KB)
HTML (3.037109375 MB)
Request Permissions

‘Rules as Strict as Palestrina's’: The Regulation of Pitch and Rhythm in Ligeti's Requiem and Lux aeterna ‘Rules as Strict as Palestrina's’: The Regulation of Pitch and Rhythm in Ligeti's Requiem and Lux aeterna

false

preview

Abstract
Article Structure
Figures and Tables
References

BENJAMIN R. LEVY

Twentieth-Century Music / Volume 10 / Issue 02 / Sun Sep 01 00:00:00 BST 2013, pp 203 - 230

DOI: http://dx.doi.org/10.1017/S1478572213000029 (About DOI), Published online: Mon Aug 12 00:00:00 BST 2013

Post a Comment

Name *

Your Position and Institution

Email *

Would you like to receive email updates for comments posted on this article?

Comment * characters remaining

Abstract
PDF (952 KB)
HTML (4.177734375 MB)
Request Permissions

In the Beginning of Penderecki's Paradise Lost In the Beginning of Penderecki's Paradise Lost

false

preview

Abstract
Article Structure
Figures and Tables
References

SCOTT MURPHY

Twentieth-Century Music / Volume 10 / Issue 02 / Sun Sep 01 00:00:00 BST 2013, pp 231 - 248

DOI: http://dx.doi.org/10.1017/S1478572213000030 (About DOI), Published online: Mon Aug 12 00:00:00 BST 2013

Post a Comment

Name *

Your Position and Institution

Email *

Would you like to receive email updates for comments posted on this article?

Comment * characters remaining

Abstract
PDF (442 KB)
HTML (947 KB)
Request Permissions

‘History As it Should Have Been’: Haunts of the Historical Sublime in John Corigliano's and William Hoffman's The Ghosts of Versailles ‘History As it Should Have Been’: Haunts of the Historical Sublime in John Corigliano's and William Hoffman's The Ghosts of Versailles

false

preview

Abstract
Article Structure
Figures and Tables
References

COLLEEN RENIHAN

Twentieth-Century Music / Volume 10 / Issue 02 / Sun Sep 01 00:00:00 BST 2013, pp 249 - 272

DOI: http://dx.doi.org/10.1017/S1478572213000042 (About DOI), Published online: Mon Aug 12 00:00:00 BST 2013

Post a Comment

Name *

Your Position and Institution

Email *

Would you like to receive email updates for comments posted on this article?

Comment * characters remaining

Abstract
PDF (216 KB)
HTML (1.001953125 MB)
Request Permissions

Reviews

Theodore Gracyk and Andrew Kania (eds), The Routledge Companion to Philosophy and Music (London and New York: Routledge, 2011), ISBN 0-415-48603-3 (hb) Theodore Gracyk and Andrew Kania (eds), The Routledge Companion to Philosophy and Music (London and New York: Routledge, 2011), ISBN 0-415-48603-3 (hb)

false

preview

Abstract
Article Structure
Figures and Tables
References

JAMES GARRATT

Twentieth-Century Music / Volume 10 / Issue 02 / Sun Sep 01 00:00:00 BST 2013, pp 273 - 279

DOI: http://dx.doi.org/10.1017/S1478572213000054 (About DOI), Published online: Mon Aug 12 00:00:00 BST 2013

Post a Comment

Name *

Your Position and Institution

Email *

Would you like to receive email updates for comments posted on this article?

Comment * characters remaining

Abstract
PDF (66 KB)
HTML (35 KB)
Request Permissions

Holly Watkins, Metaphors of Depth in German Musical Thought: from E. T. A. Hoffmann to Arnold Schoenberg (Cambridge: Cambridge University Press, 2011), ISBN 978-1-107-01091-8 (hb) Holly Watkins, Metaphors of Depth in German Musical Thought: from E. T. A. Hoffmann to Arnold Schoenberg (Cambridge: Cambridge University Press, 2011), ISBN 978-1-107-01091-8 (hb)

false

preview

Abstract
Article Structure
Figures and Tables
References

HELEN THOMAS

Twentieth-Century Music / Volume 10 / Issue 02 / Sun Sep 01 00:00:00 BST 2013, pp 280 - 285

DOI: http://dx.doi.org/10.1017/S1478572213000066 (About DOI), Published online: Mon Aug 12 00:00:00 BST 2013

Post a Comment

Name *

Your Position and Institution

Email *

Would you like to receive email updates for comments posted on this article?

Comment * characters remaining

Abstract
PDF (66 KB)
HTML (28 KB)
Request Permissions

Marianne Wheeldon, Debussy's Late Style (Bloomington: Indiana University Press, 2009), ISBN 978-0-253-35239-2 (hb) Marianne Wheeldon, Debussy's Late Style (Bloomington: Indiana University Press, 2009), ISBN 978-0-253-35239-2 (hb)

false

preview

Abstract
Article Structure
Figures and Tables
References

TIMOTHY COCHRAN

Twentieth-Century Music / Volume 10 / Issue 02 / Sun Sep 01 00:00:00 BST 2013, pp 285 - 290

DOI: http://dx.doi.org/10.1017/S1478572213000078 (About DOI), Published online: Mon Aug 12 00:00:00 BST 2013

Post a Comment

Name *

Your Position and Institution

Email *

Would you like to receive email updates for comments posted on this article?

Comment * characters remaining

Abstract
PDF (63 KB)
HTML (25 KB)
Request Permissions

Timothy A. Johnson, John Adams's Nixon in China: Musical Analysis, Historical and Political Perspectives (Burlington, VT: Ashgate, 2011), ISBN 9781409426820 (hb), 9781409426837 (eb) Timothy A. Johnson, John Adams's Nixon in China: Musical Analysis, Historical and Political Perspectives (Burlington, VT: Ashgate, 2011), ISBN 9781409426820 (hb), 9781409426837 (eb)

false

preview

Abstract
Article Structure
Figures and Tables
References

ALICE MILLER COTTER

Twentieth-Century Music / Volume 10 / Issue 02 / Sun Sep 01 00:00:00 BST 2013, pp 291 - 297

DOI: http://dx.doi.org/10.1017/S147857221300008X (About DOI), Published online: Mon Aug 12 00:00:00 BST 2013

Post a Comment

Name *

Your Position and Institution

Email *

Would you like to receive email updates for comments posted on this article?

Comment * characters remaining

Abstract
PDF (70 KB)
HTML (33 KB)
Request Permissions

Benjamin Piekut, Experimentalism Otherwise: the New York Avant-Garde and Its Limits (Berkeley: University of California Press, 2011), ISBN 978-0-520-26850-0 (hb), 978-0-520-26851-7 (pb) Benjamin Piekut, Experimentalism Otherwise: the New York Avant-Garde and Its Limits (Berkeley: University of California Press, 2011), ISBN 978-0-520-26850-0 (hb), 978-0-520-26851-7 (pb)

false

preview

Abstract
Article Structure
Figures and Tables
References

MOLLY McGLONE

Twentieth-Century Music / Volume 10 / Issue 02 / Sun Sep 01 00:00:00 BST 2013, pp 297 - 304

DOI: http://dx.doi.org/10.1017/S1478572213000091 (About DOI), Published online: Mon Aug 12 00:00:00 BST 2013

Post a Comment

Name *

Your Position and Institution

Email *

Would you like to receive email updates for comments posted on this article?

Comment * characters remaining

Abstract
PDF (73 KB)
HTML (35 KB)
Request Permissions

Marguerite Boland and John Link (eds), Elliott Carter Studies (Cambridge: Cambridge University Press, 2012), ISBN 9780521113625 Marguerite Boland and John Link (eds), Elliott Carter Studies (Cambridge: Cambridge University Press, 2012), ISBN 9780521113625

false

preview

Abstract
Article Structure
Figures and Tables
References

LAURA EMMERY

Twentieth-Century Music / Volume 10 / Issue 02 / Sun Sep 01 00:00:00 BST 2013, pp 304 - 310

DOI: http://dx.doi.org/10.1017/S147857221300011X (About DOI), Published online: Mon Aug 12 00:00:00 BST 2013

Post a Comment

Name *

Your Position and Institution

Email *

Would you like to receive email updates for comments posted on this article?

Comment * characters remaining

Abstract
PDF (68 KB)
HTML (30 KB)
Request Permissions

Front Cover (OFC, IFC) and matter

TCM volume 10 issue 2 Cover and Front matter TCM volume 10 issue 2 Cover and Front matter

false

preview

Abstract
Article Structure
Figures and Tables
References

Twentieth-Century Music / Volume 10 / Issue 02 / Sun Sep 01 00:00:00 BST 2013, pp f1 - f3

DOI: http://dx.doi.org/10.1017/S1478572213000121 (About DOI), Published online: Mon Aug 12 00:00:00 BST 2013

Post a Comment

Name *

Your Position and Institution

Email *

Would you like to receive email updates for comments posted on this article?

Comment * characters remaining

PDF (79 KB)
Request Permissions

Back Cover (IBC, OBC) and matter

TCM volume 10 issue 2 Cover and Back matter TCM volume 10 issue 2 Cover and Back matter

false

preview

Abstract
Article Structure
Figures and Tables
References

Twentieth-Century Music / Volume 10 / Issue 02 / Sun Sep 01 00:00:00 BST 2013, pp b1 - b8

DOI: http://dx.doi.org/10.1017/S1478572213000133 (About DOI), Published online: Mon Aug 12 00:00:00 BST 2013

Post a Comment

Name *

Your Position and Institution

Email *

Would you like to receive email updates for comments posted on this article?

Comment * characters remaining

PDF (219 KB)
Request Permissions

View Selected Abstracts
Save to My Saved Articles
Export Citation (s)
Download PDF (s)

Add to Basket

View Table of Contents as PDF
View Cover
Forward TOC

Previous Issue

Welcome to Stanford University Libraries

Twentieth-Century Music

Notes on Contributors

Articles

Reviews

Front Cover (OFC, IFC) and matter

Back Cover (IBC, OBC) and matter