Popular Music Vol. 31

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Table of Contents - Volume 31 - Issue -

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Articles

Mala Bizta Sochal Klu: underground, alternative and commercial in Havana hip hop Mala Bizta Sochal Klu: underground, alternative and commercial in Havana hip hop

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Geoff Baker

Popular Music / Volume 31 / Issue 01 / , pp 1 - 24

DOI: http://dx.doi.org/10.1017/S0261143011000432 (About DOI), Published online: 01 February 2012

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Introduction

Introduction: As Time Goes By Introduction: As Time Goes By

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Murray Forman and Jan Fairley

Popular Music / Volume 31 / Issue 02 / , pp 193 - 197

DOI: http://dx.doi.org/10.1017/S0261143012000049 (About DOI), Published online: 23 April 2012

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Carte de Séjour: revisiting ‘Arabness’ and anti-racism in 1980s France Carte de Séjour: revisiting ‘Arabness’ and anti-racism in 1980s France

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Barbara Lebrun

Popular Music / Volume 31 / Issue 03 / , pp 331 - 346

DOI: http://dx.doi.org/10.1017/S026114301200027X (About DOI), Published online: 12 October 2012

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All the young dudes: educational capital, masculinity and the uses of popular music All the young dudes: educational capital, masculinity and the uses of popular music

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Andrew Branch

Popular Music / Volume 31 / Issue 01 / , pp 25 - 44

DOI: http://dx.doi.org/10.1017/S0261143011000444 (About DOI), Published online: 01 February 2012

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‘Get back to where you once belonged!’ The positive creative impact of a refresher course for ‘baby-boomer’ rock musicians ‘Get back to where you once belonged!’ The positive creative impact of a refresher course for ‘baby-boomer’ rock musicians

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Helen O'Shea

Popular Music / Volume 31 / Issue 02 / , pp 199 - 215

DOI: http://dx.doi.org/10.1017/S0261143012000025 (About DOI), Published online: 23 April 2012

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Listening to ‘difficult albums’: specialist music fans and the popular avant-garde Listening to ‘difficult albums’: specialist music fans and the popular avant-garde

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Chris Atton

Popular Music / Volume 31 / Issue 03 / , pp 347 - 361

DOI: http://dx.doi.org/10.1017/S0261143012000281 (About DOI), Published online: 12 October 2012

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Virtual liveness and sounding cyborgs: John Oswald's ‘Vane’ Virtual liveness and sounding cyborgs: John Oswald's ‘Vane’

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Paul Sanden

Popular Music / Volume 31 / Issue 01 / , pp 45 - 68

DOI: http://dx.doi.org/10.1017/S0261143011000456 (About DOI), Published online: 01 February 2012

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New generations, older bodies: danzón, age and ‘cultural rescue’ in the Port of Veracruz, Mexico New generations, older bodies: danzón, age and ‘cultural rescue’ in the Port of Veracruz, Mexico

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Hettie Malcomson

Popular Music / Volume 31 / Issue 02 / , pp 217 - 230

DOI: http://dx.doi.org/10.1017/S0261143012000062 (About DOI), Published online: 23 April 2012

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What is bluegrass anyway? Category formation, debate and the framing of musical genre What is bluegrass anyway? Category formation, debate and the framing of musical genre

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Joti Rockwell

Popular Music / Volume 31 / Issue 03 / , pp 363 - 381

DOI: http://dx.doi.org/10.1017/S0261143012000293 (About DOI), Published online: 12 October 2012

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MacIntyre, Bourdieu and the practice of jazz MacIntyre, Bourdieu and the practice of jazz

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Mark Banks

Popular Music / Volume 31 / Issue 01 / , pp 69 - 86

DOI: http://dx.doi.org/10.1017/S0261143011000468 (About DOI), Published online: 01 February 2012

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Popular music and the aesthetics of ageing Popular music and the aesthetics of ageing

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Andy Bennett and Jodie Taylor

Popular Music / Volume 31 / Issue 02 / , pp 231 - 243

DOI: http://dx.doi.org/10.1017/S0261143012000013 (About DOI), Published online: 23 April 2012

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Internal rhyme in ‘The Boy with a Moon and Star on His Head’, Cat Stevens, 1972 Internal rhyme in ‘The Boy with a Moon and Star on His Head’, Cat Stevens, 1972

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Dai Griffiths

Popular Music / Volume 31 / Issue 03 / , pp 383 - 400

DOI: http://dx.doi.org/10.1017/S026114301200030X (About DOI), Published online: 12 October 2012

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Contextual incongruity and musical congruity: the aesthetics and humour of mash-ups Contextual incongruity and musical congruity: the aesthetics and humour of mash-ups

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Ragnhild Brøvig-Hanssen and Paul Harkins

Popular Music / Volume 31 / Issue 01 / , pp 87 - 104

DOI: http://dx.doi.org/10.1017/S026114301100047X (About DOI), Published online: 01 February 2012

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‘How we feel the music’: popular music by elders and for elders ‘How we feel the music’: popular music by elders and for elders

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Murray Forman

Popular Music / Volume 31 / Issue 02 / , pp 245 - 260

DOI: http://dx.doi.org/10.1017/S0261143012000037 (About DOI), Published online: 23 April 2012

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Siberian punk shall emerge here: Egor Letov and Grazhdanskaia Oborona Siberian punk shall emerge here: Egor Letov and Grazhdanskaia Oborona

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Yngvar B. Steinholt

Popular Music / Volume 31 / Issue 03 / , pp 401 - 415

DOI: http://dx.doi.org/10.1017/S0261143012000311 (About DOI), Published online: 12 October 2012

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‘Nor did I socialise with their people’: Patti Smith, rock heroics and the poetics of sociability ‘Nor did I socialise with their people’: Patti Smith, rock heroics and the poetics of sociability

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Daniel Kane

Popular Music / Volume 31 / Issue 01 / , pp 105 - 123

DOI: http://dx.doi.org/10.1017/S0261143011000481 (About DOI), Published online: 01 February 2012

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Talking About Old Records: generational musical identity among older people Talking About Old Records: generational musical identity among older people

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Matt Connell

Popular Music / Volume 31 / Issue 02 / , pp 261 - 278

DOI: http://dx.doi.org/10.1017/S0261143012000074 (About DOI), Published online: 23 April 2012

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The new ‘tween’ music industry: The Disney Channel, Kidz Bop and an emerging childhood counterpublic The new ‘tween’ music industry: The Disney Channel, Kidz Bop and an emerging childhood counterpublic

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Tyler Bickford

Popular Music / Volume 31 / Issue 03 / , pp 417 - 436

DOI: http://dx.doi.org/10.1017/S0261143012000335 (About DOI), Published online: 12 October 2012

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Fandom as a religious form: on the reception of pop music by Cliff Richard fans in Liverpool Fandom as a religious form: on the reception of pop music by Cliff Richard fans in Liverpool

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Anja Löbert

Popular Music / Volume 31 / Issue 01 / , pp 125 - 141

DOI: http://dx.doi.org/10.1017/S0261143011000493 (About DOI), Published online: 01 February 2012

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Memoryscapes and mediascapes: musical formations of ‘pensioners’ in late 20th-century Sweden Memoryscapes and mediascapes: musical formations of ‘pensioners’ in late 20th-century Sweden

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Sverker Hyltén-Cavallius

Popular Music / Volume 31 / Issue 02 / , pp 279 - 295

DOI: http://dx.doi.org/10.1017/S0261143012000050 (About DOI), Published online: 23 April 2012

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The power ballad The power ballad

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David Metzer

Popular Music / Volume 31 / Issue 03 / , pp 437 - 459

DOI: http://dx.doi.org/10.1017/S0261143012000347 (About DOI), Published online: 12 October 2012

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The promotional state ‘after neo-liberalism’: ideologies of governance and New Zealand's pop renaissance The promotional state ‘after neo-liberalism’: ideologies of governance and New Zealand's pop renaissance

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Michael Scott and David Craig

Popular Music / Volume 31 / Issue 01 / , pp 143 - 163

DOI: http://dx.doi.org/10.1017/S026114301100050X (About DOI), Published online: 01 February 2012

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Middle Eight

Memories of David Sanjek, 1952–2011 Memories of David Sanjek, 1952–2011

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Reebee Garofalo

Popular Music / Volume 31 / Issue 02 / , pp 297 - 300

DOI: http://dx.doi.org/10.1017/S0261143012000244 (About DOI), Published online: 23 April 2012

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Articles

How the yodel became a joke: the vicissitudes of a musical sign How the yodel became a joke: the vicissitudes of a musical sign

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Tim Wise

Popular Music / Volume 31 / Issue 03 / , pp 461 - 479

DOI: http://dx.doi.org/10.1017/S0261143012000359 (About DOI), Published online: 12 October 2012

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More than just music: the seven dimensions of the Eurovision Song Contest More than just music: the seven dimensions of the Eurovision Song Contest

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Irving Wolther

Popular Music / Volume 31 / Issue 01 / , pp 165 - 171

DOI: http://dx.doi.org/10.1017/S0261143011000511 (About DOI), Published online: 01 February 2012

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Reviews

Cutting Across Media: Appropriation Art, Interventionist Collage and Copyright Law. Edited by Kembrew McLeod and Rudolf Kuenzli. Durham and London: Duke University Press, 2011. 361 pp. ISBN 978-0-8223-4822-1

Creative License: The Law and Culture of Digital Sampling. By Kembrew McLeod and Peter DiCola with Jenny Toomey and Kristin Thomson. Durham and London: Duke University Press, 2011. 336 pp. ISBN 978-0-8223-4875-7 Cutting Across Media: Appropriation Art, Interventionist Collage and Copyright Law. Edited by Kembrew McLeod and Rudolf Kuenzli. Durham and London: Duke University Press, 2011. 361 pp. ISBN 978-0-8223-4822-1

Creative License: The Law and Culture of Digital Sampling. By Kembrew McLeod and Peter DiCola with Jenny Toomey and Kristin Thomson. Durham and London: Duke University Press, 2011. 336 pp. ISBN 978-0-8223-4875-7

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Kenneth Barr

Popular Music / Volume 31 / Issue 02 / , pp 301 - 303

DOI: http://dx.doi.org/10.1017/S0261143012000086 (About DOI), Published online: 23 April 2012

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Reconsidering popular music studies: a review of IASPM's thirtieth anniversary conference held in Grahamstown, South Africa, 27 June–1 July 2011 Reconsidering popular music studies: a review of IASPM's thirtieth anniversary conference held in Grahamstown, South Africa, 27 June–1 July 2011

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Maria Hanáček

Popular Music / Volume 31 / Issue 03 / , pp 481 - 483

DOI: http://dx.doi.org/10.1017/S0261143012000360 (About DOI), Published online: 12 October 2012

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Charles Edward Hamm (1925–2011) Charles Edward Hamm (1925–2011)

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Dale Cockrell

Popular Music / Volume 31 / Issue 01 / , pp 173 - 174

DOI: http://dx.doi.org/10.1017/S0261143011000596 (About DOI), Published online: 01 February 2012

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Why Pamper Life's Complexities?: Essays on The Smiths. Edited by Sean Campbell and Colin Coulter. Manchester: Manchester University Press, 2011. 256 pp. ISBN 978-0-7190-7841-5 Why Pamper Life's Complexities?: Essays on The Smiths. Edited by Sean Campbell and Colin Coulter. Manchester: Manchester University Press, 2011. 256 pp. ISBN 978-0-7190-7841-5

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Alison Eales

Popular Music / Volume 31 / Issue 02 / , pp 303 - 305

DOI: http://dx.doi.org/10.1017/S0261143012000098 (About DOI), Published online: 23 April 2012

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Obituaries

Jan Fairley Jan Fairley

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Simon Frith

Popular Music / Volume 31 / Issue 03 / , pp 485 - 487

DOI: http://dx.doi.org/10.1017/S0261143012000372 (About DOI), Published online: 12 October 2012

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Björk. By Nicola Dibben. Bloomington and Indianapolis: Indiana University Press, 2009. 224 pp. ISBN 978-0-253-22065-3 Björk. By Nicola Dibben. Bloomington and Indianapolis: Indiana University Press, 2009. 224 pp. ISBN 978-0-253-22065-3

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Sarah Boak

Popular Music / Volume 31 / Issue 01 / , pp 175 - 177

DOI: http://dx.doi.org/10.1017/S0261143011000523 (About DOI), Published online: 01 February 2012

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Big Ears: Listening for Gender in Jazz Studies. Edited by Nichole Rustin and Sherrie Tucker. Durham and London: Duke University Press, 2008. 474 pp. ISBN 978-0-8223-4320-2 Big Ears: Listening for Gender in Jazz Studies. Edited by Nichole Rustin and Sherrie Tucker. Durham and London: Duke University Press, 2008. 474 pp. ISBN 978-0-8223-4320-2

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Elina Hytönen

Popular Music / Volume 31 / Issue 02 / , pp 305 - 307

DOI: http://dx.doi.org/10.1017/S0261143012000104 (About DOI), Published online: 23 April 2012

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I Don't Sound Like Nobody: Remaking Music in 1950s America. By Zak III. Ann Arbor: University of Michigan Press, 2010. x + 308 pp. ISBN 978-0-472-11637-9 I Don't Sound Like Nobody: Remaking Music in 1950s America. By Zak III. Ann Arbor: University of Michigan Press, 2010. x + 308 pp. ISBN 978-0-472-11637-9

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Lincoln M. Ballard

Popular Music / Volume 31 / Issue 03 / , pp 489 - 491

DOI: http://dx.doi.org/10.1017/S0261143012000384 (About DOI), Published online: 12 October 2012

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Britpop and the English Music Tradition. Edited by Andy Bennett and Jon Stratton. Farnham: Ashgate, 2010. 225 pp. ISBN: 978-0-7546-6805-3 Britpop and the English Music Tradition. Edited by Andy Bennett and Jon Stratton. Farnham: Ashgate, 2010. 225 pp. ISBN: 978-0-7546-6805-3

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Martin Cloonan

Popular Music / Volume 31 / Issue 01 / , pp 177 - 179

DOI: http://dx.doi.org/10.1017/S0261143011000535 (About DOI), Published online: 01 February 2012

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North of Empire: Essays on the Cultural Technologies of Space. By Jody Berland. Durham and London: Duke University Press, 2009. 386 pp. ISBN 978-0-8223-4306-6 North of Empire: Essays on the Cultural Technologies of Space. By Jody Berland. Durham and London: Duke University Press, 2009. 386 pp. ISBN 978-0-8223-4306-6

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Jesse Feyen

Popular Music / Volume 31 / Issue 02 / , pp 307 - 309

DOI: http://dx.doi.org/10.1017/S0261143012000116 (About DOI), Published online: 23 April 2012

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Musical Rhythm in the Age of Digital Reproduction. By Danielsen. Farnham: Ashgate, 2010. 265 pp. ISBN 978-1409403401 Musical Rhythm in the Age of Digital Reproduction. By Danielsen. Farnham: Ashgate, 2010. 265 pp. ISBN 978-1409403401

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David Collier

Popular Music / Volume 31 / Issue 03 / , pp 491 - 492

DOI: http://dx.doi.org/10.1017/S0261143012000396 (About DOI), Published online: 12 October 2012

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Learning, Teaching, and Musical Identity: Voices across Cultures. Edited by Lucy Green. Bloomington and Indianapolis: Indiana University Press, 2011. ISBN 978-0-253-22293-0 Learning, Teaching, and Musical Identity: Voices across Cultures. Edited by Lucy Green. Bloomington and Indianapolis: Indiana University Press, 2011. ISBN 978-0-253-22293-0

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Chris Doll

Popular Music / Volume 31 / Issue 01 / , pp 179 - 180

DOI: http://dx.doi.org/10.1017/S0261143011000547 (About DOI), Published online: 01 February 2012

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Film Music. A Very Short Introduction. By Kathryn Kalinak. New York: Oxford University Press, 2010. 143 pp. ISBN 978-0-19-537087-4 Film Music. A Very Short Introduction. By Kathryn Kalinak. New York: Oxford University Press, 2010. 143 pp. ISBN 978-0-19-537087-4

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Teresa Fraile

Popular Music / Volume 31 / Issue 02 / , pp 309 - 311

DOI: http://dx.doi.org/10.1017/S0261143012000128 (About DOI), Published online: 23 April 2012

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If Beale Street Could Talk: Music, Community, Culture. By Cantwell. Urbana and Chicago: University of Illinois Press, 2008. 316 pp. ISBN: 978-0-252-07566-7 If Beale Street Could Talk: Music, Community, Culture. By Cantwell. Urbana and Chicago: University of Illinois Press, 2008. 316 pp. ISBN: 978-0-252-07566-7

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Rory Crutchfield

Popular Music / Volume 31 / Issue 03 / , pp 493 - 495

DOI: http://dx.doi.org/10.1017/S0261143012000402 (About DOI), Published online: 12 October 2012

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Cultural Seeds: Essays on the Work of Nick Cave. Edited by Karen Welberry and Tanya Dalziell. Aldershot: Ashgate, 2009. ISBN 978-0-754-66395-9 Cultural Seeds: Essays on the Work of Nick Cave. Edited by Karen Welberry and Tanya Dalziell. Aldershot: Ashgate, 2009. ISBN 978-0-754-66395-9

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Wendy Fonarow

Popular Music / Volume 31 / Issue 01 / , pp 181 - 183

DOI: http://dx.doi.org/10.1017/S0261143011000559 (About DOI), Published online: 01 February 2012

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The Cambridge Companion to the Beatles. Edited by Kenneth Womack. Cambridge: Cambridge University Press, 2009. 344 pp. ISBN 978-0-521-86965-2 The Cambridge Companion to the Beatles. Edited by Kenneth Womack. Cambridge: Cambridge University Press, 2009. 344 pp. ISBN 978-0-521-86965-2

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Simon Frith

Popular Music / Volume 31 / Issue 02 / , pp 312 - 314

DOI: http://dx.doi.org/10.1017/S026114301200013X (About DOI), Published online: 23 April 2012

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Pop Cults: Religion and Popular Music. By Till. New York: Continuum, 2010. 215 pp. ISBN: 978-0-826-43236-0 Pop Cults: Religion and Popular Music. By Till. New York: Continuum, 2010. 215 pp. ISBN: 978-0-826-43236-0

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Mark Duffett

Popular Music / Volume 31 / Issue 03 / , pp 495 - 498

DOI: http://dx.doi.org/10.1017/S0261143012000414 (About DOI), Published online: 12 October 2012

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Black Sabbath and the Rise of Heavy Metal Music. By Andrew L. Cope. Farnham, Surrey: Ashgate, 2010. 172 pp. ISBN 978-0-7546-6881-7

Faster for the Master! Exploring Issues of Religious Expression and Alternative Christian Identity Within the Finnish Christian Metal Music Scene. By Marcus Moberg. Turku: Åbo Akademi University Press, 2009. 320 pp. ISBN 978-951-765-492-0 Black Sabbath and the Rise of Heavy Metal Music. By Andrew L. Cope. Farnham, Surrey: Ashgate, 2010. 172 pp. ISBN 978-0-7546-6881-7

Faster for the Master! Exploring Issues of Religious Expression and Alternative Christian Identity Within the Finnish Christian Metal Music Scene. By Marcus Moberg. Turku: Åbo Akademi University Press, 2009. 320 pp. ISBN 978-951-765-492-0

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Kimi Kärki

Popular Music / Volume 31 / Issue 01 / , pp 183 - 186

DOI: http://dx.doi.org/10.1017/S0261143011000560 (About DOI), Published online: 01 February 2012

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Stereo: Comparative Perspectives on the Sociological Study of Popular Music in France and Britain. Edited by Hugh Dauncey and Philippe Le Guern. Surrey, Ashgate, 2011. 281 pp. ISBN 978-1-4094-0568-9 Stereo: Comparative Perspectives on the Sociological Study of Popular Music in France and Britain. Edited by Hugh Dauncey and Philippe Le Guern. Surrey, Ashgate, 2011. 281 pp. ISBN 978-1-4094-0568-9

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Christopher Fuller

Popular Music / Volume 31 / Issue 02 / , pp 315 - 316

DOI: http://dx.doi.org/10.1017/S0261143012000141 (About DOI), Published online: 23 April 2012

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Bob Dylan. By Negus. London: Equinox, 2008. 172 pp. ISBN 1-904768-25-8 Bob Dylan. By Negus. London: Equinox, 2008. 172 pp. ISBN 1-904768-25-8

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Charlie Ford

Popular Music / Volume 31 / Issue 03 / , pp 498 - 500

DOI: http://dx.doi.org/10.1017/S0261143012000426 (About DOI), Published online: 12 October 2012

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Dub in Babylon. By Christopher Partridge. London and Oakville: Equinox Publishing, 2010. 319 pp. ISBN 918-1-84553-312-0 (pb) Dub in Babylon. By Christopher Partridge. London and Oakville: Equinox Publishing, 2010. 319 pp. ISBN 918-1-84553-312-0 (pb)

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Shara Rambarran

Popular Music / Volume 31 / Issue 01 / , pp 186 - 188

DOI: http://dx.doi.org/10.1017/S0261143011000572 (About DOI), Published online: 01 February 2012

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She's So Fine: Reflections on Whiteness, Femininity, Adolescence and Class in 1960s Music. Edited by Laurie Stras. Burlington, VT: Ashgate, 2010. 284 pp. ISBN 978-1-409-40051-6 She's So Fine: Reflections on Whiteness, Femininity, Adolescence and Class in 1960s Music. Edited by Laurie Stras. Burlington, VT: Ashgate, 2010. 284 pp. ISBN 978-1-409-40051-6

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Sarah E. Hankins

Popular Music / Volume 31 / Issue 02 / , pp 316 - 318

DOI: http://dx.doi.org/10.1017/S0261143012000153 (About DOI), Published online: 23 April 2012

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California Polyphony: Ethnic Voices, Musical Crossroads. By Yang. Champaign-Urbana: University of Illinois Press, 2008. 208 pp. ISBN 978-0-252-03243-1 California Polyphony: Ethnic Voices, Musical Crossroads. By Yang. Champaign-Urbana: University of Illinois Press, 2008. 208 pp. ISBN 978-0-252-03243-1

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Akitsugu Kawamoto

Popular Music / Volume 31 / Issue 03 / , pp 501 - 502

DOI: http://dx.doi.org/10.1017/S0261143012000438 (About DOI), Published online: 12 October 2012

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Cajun and Zydeco Dance Music in Northern California: Modern Pleasures in a Postmodern World. By Mark DeWitt. Jackson: University of Mississippi Press, 2008. ii + 280 pp., index, photos. ISBN 978-1604730906 Cajun and Zydeco Dance Music in Northern California: Modern Pleasures in a Postmodern World. By Mark DeWitt. Jackson: University of Mississippi Press, 2008. ii + 280 pp., index, photos. ISBN 978-1604730906

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Joel E. Rubin

Popular Music / Volume 31 / Issue 01 / , pp 188 - 190

DOI: http://dx.doi.org/10.1017/S0261143011000584 (About DOI), Published online: 01 February 2012

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Dark Side of the Tune. Popular Music and Violence. By Bruce Johnson and Martin Cloonan. Farnham: Ashgate, 2009. 238 pp. ISBN 0-754-65872-4 (pb); ISBN 978-0-754-65872-6 (hb) Dark Side of the Tune. Popular Music and Violence. By Bruce Johnson and Martin Cloonan. Farnham: Ashgate, 2009. 238 pp. ISBN 0-754-65872-4 (pb); ISBN 978-0-754-65872-6 (hb)

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Helmi Järviluoma-Mäkelä

Popular Music / Volume 31 / Issue 02 / , pp 318 - 321

DOI: http://dx.doi.org/10.1017/S0261143012000165 (About DOI), Published online: 23 April 2012

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Music, Sound and Silence in Buffy the Vampire Slayer. Edited by Attinello, Halfyard and Knights. Farnham: Ashgate, 2010. 278 pp. ISBN 978-0-7546-6041-2 Music, Sound and Silence in Buffy the Vampire Slayer. Edited by Attinello, Halfyard and Knights. Farnham: Ashgate, 2010. 278 pp. ISBN 978-0-7546-6041-2

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Anja Mølle Lindelof

Popular Music / Volume 31 / Issue 03 / , pp 502 - 504

DOI: http://dx.doi.org/10.1017/S026114301200044X (About DOI), Published online: 12 October 2012

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The Republic of Love: Cultural Intimacy in Turkish Popular Music. By Martin Stokes. Chicago, IL and London: University of Chicago Press, 2010. 219 pp. ISBN 978-0-226-77505-0 (hb); 978-0-226-77506-7 (pb) The Republic of Love: Cultural Intimacy in Turkish Popular Music. By Martin Stokes. Chicago, IL and London: University of Chicago Press, 2010. 219 pp. ISBN 978-0-226-77505-0 (hb); 978-0-226-77506-7 (pb)

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Thomas Solomon

Popular Music / Volume 31 / Issue 01 / , pp 190 - 192

DOI: http://dx.doi.org/10.1017/S0261143011000602 (About DOI), Published online: 01 February 2012

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Buena Vista in the Club: Rap, Reggaetón, and Revolution in Havana. By Geoffrey Baker. Durham and London: Duke University Press, 2011. 410 pp. ISBN 978-0-822-34959-4 Buena Vista in the Club: Rap, Reggaetón, and Revolution in Havana. By Geoffrey Baker. Durham and London: Duke University Press, 2011. 410 pp. ISBN 978-0-822-34959-4

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Colter Harper

Popular Music / Volume 31 / Issue 02 / , pp 321 - 323

DOI: http://dx.doi.org/10.1017/S0261143012000177 (About DOI), Published online: 23 April 2012

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Folk Music: A Very Short Introduction. By Slobin. Oxford and New York: OUP, 2011. 176 pp. ISBN 978-0-19-539502-0 Folk Music: A Very Short Introduction. By Slobin. Oxford and New York: OUP, 2011. 176 pp. ISBN 978-0-19-539502-0

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David McGuinness

Popular Music / Volume 31 / Issue 03 / , pp 504 - 506

DOI: http://dx.doi.org/10.1017/S0261143012000451 (About DOI), Published online: 12 October 2012

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Brazilian Popular Music and Citizenship. Edited by Idelber Avellar and Christopher Dunn. Durham and London: Duke University Press, 2011. 364 pp. ISBN 978-0-8233-4906-8 Brazilian Popular Music and Citizenship. Edited by Idelber Avellar and Christopher Dunn. Durham and London: Duke University Press, 2011. 364 pp. ISBN 978-0-8233-4906-8

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Elizabeth Travassos

Popular Music / Volume 31 / Issue 02 / , pp 323 - 325

DOI: http://dx.doi.org/10.1017/S0261143012000189 (About DOI), Published online: 23 April 2012

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Shakespeare and Popular Music. By Hansen. London and New York: Continuum, 2010. 185 pp. ISBN: 978-1-4411-2698-6 Shakespeare and Popular Music. By Hansen. London and New York: Continuum, 2010. 185 pp. ISBN: 978-1-4411-2698-6

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Victoria E. Price

Popular Music / Volume 31 / Issue 03 / , pp 506 - 508

DOI: http://dx.doi.org/10.1017/S0261143012000463 (About DOI), Published online: 12 October 2012

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Birds of Fire: Jazz, Rock, Funk, and the Creation of Fusion. By Kevin Fellezs. Durham and London: Duke University Press, 2011. 312 pp. ISBN 978-0-8223-5047-7 Birds of Fire: Jazz, Rock, Funk, and the Creation of Fusion. By Kevin Fellezs. Durham and London: Duke University Press, 2011. 312 pp. ISBN 978-0-8223-5047-7

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Katherine Williams

Popular Music / Volume 31 / Issue 02 / , pp 325 - 327

DOI: http://dx.doi.org/10.1017/S0261143012000190 (About DOI), Published online: 23 April 2012

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The Oxford American Book of Great Music Writing. Edited by Smirnoff. Fayetteville: The University of Arkansas Press, 2008. 421 pp. ISBN 1-55728-887-9 (hb) The Oxford American Book of Great Music Writing. Edited by Smirnoff. Fayetteville: The University of Arkansas Press, 2008. 421 pp. ISBN 1-55728-887-9 (hb)

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Jennifer Skellington

Popular Music / Volume 31 / Issue 03 / , pp 508 - 510

DOI: http://dx.doi.org/10.1017/S0261143012000475 (About DOI), Published online: 12 October 2012

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Music and Conflict. Edited by John Morgan O'Connell and Salwa El-Shawan-Castelo-Branco. Urbana and Chicago: University of Illinois Press, 2010. 289 pp. ISBN 9-870-250-7738-8 Music and Conflict. Edited by John Morgan O'Connell and Salwa El-Shawan-Castelo-Branco. Urbana and Chicago: University of Illinois Press, 2010. 289 pp. ISBN 9-870-250-7738-8

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Reba Wissner

Popular Music / Volume 31 / Issue 02 / , pp 327 - 329

DOI: http://dx.doi.org/10.1017/S0261143012000207 (About DOI), Published online: 23 April 2012

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Musicological Identities: Essays in Honor of Susan McClary. Edited by Baur, Knapp and Warwick. Aldershot: Ashgate, 2008. 264 pp. ISBN 978-0-7546-6302-7 Musicological Identities: Essays in Honor of Susan McClary. Edited by Baur, Knapp and Warwick. Aldershot: Ashgate, 2008. 264 pp. ISBN 978-0-7546-6302-7

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Tom Solomon

Popular Music / Volume 31 / Issue 03 / , pp 510 - 514

DOI: http://dx.doi.org/10.1017/S0261143012000487 (About DOI), Published online: 12 October 2012

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Música y radiodifusión. Los primeros años (1923–1936). By Arce. Madrid: Instituto Complutense de Ciencias Musicales (ICCMU), 2008. 342 pp. ISBN: 978-84-89457-37-9 Música y radiodifusión. Los primeros años (1923–1936). By Arce. Madrid: Instituto Complutense de Ciencias Musicales (ICCMU), 2008. 342 pp. ISBN: 978-84-89457-37-9

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Eduardo Viñuela

Popular Music / Volume 31 / Issue 03 / , pp 514 - 516

DOI: http://dx.doi.org/10.1017/S0261143012000499 (About DOI), Published online: 12 October 2012

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PMU volume 31 issue 3 Cover and Front matter PMU volume 31 issue 3 Cover and Front matter

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Popular Music / Volume 31 / Issue 03 / , pp f1 - f6

DOI: http://dx.doi.org/10.1017/S0261143012000256 (About DOI), Published online: 12 October 2012

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Popular Music / Volume 31 / Issue 03 / , pp b1 - b4

DOI: http://dx.doi.org/10.1017/S0261143012000323 (About DOI), Published online: 12 October 2012

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