Popular Music Vol. 32 Issue 03

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Vol. 32 Issue 03

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Table of Contents - Volume 32 - Issue 03 - Tue Oct 01 00:00:00 BST 2013

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Articles

Narrative, vocal staging and masculinity in the ‘Outlaw’ country music of Waylon Jennings Narrative, vocal staging and masculinity in the ‘Outlaw’ country music of Waylon Jennings

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Travis D. Stimeling

Popular Music / Volume 32 / Issue 03 / Tue Oct 01 00:00:00 BST 2013, pp 343 - 358

DOI: http://dx.doi.org/10.1017/S0261143013000263 (About DOI), Published online: Fri Sep 13 00:00:00 BST 2013

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Beyond blood brothers: queer Bruce Springsteen Beyond blood brothers: queer Bruce Springsteen

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Rosalie Zdzienicka Fanshel

Popular Music / Volume 32 / Issue 03 / Tue Oct 01 00:00:00 BST 2013, pp 359 - 383

DOI: http://dx.doi.org/10.1017/S0261143013000275 (About DOI), Published online: Fri Sep 13 00:00:00 BST 2013

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History without royalty? Queen and the strata of the popular music canon History without royalty? Queen and the strata of the popular music canon

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Anne Desler

Popular Music / Volume 32 / Issue 03 / Tue Oct 01 00:00:00 BST 2013, pp 385 - 405

DOI: http://dx.doi.org/10.1017/S0261143013000287 (About DOI), Published online: Fri Sep 13 00:00:00 BST 2013

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‘More than just a music’: conservative Christian anti-rock discourse and the U.S. culture wars ‘More than just a music’: conservative Christian anti-rock discourse and the U.S. culture wars

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Anna Nekola

Popular Music / Volume 32 / Issue 03 / Tue Oct 01 00:00:00 BST 2013, pp 407 - 426

DOI: http://dx.doi.org/10.1017/S0261143013000299 (About DOI), Published online: Fri Sep 13 00:00:00 BST 2013

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‘Keep the best of you, “do” the rest of you’: passing, ambivalence and keeping queer time in gender performative negotiations of popular music ‘Keep the best of you, “do” the rest of you’: passing, ambivalence and keeping queer time in gender performative negotiations of popular music

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Rachel Devitt

Popular Music / Volume 32 / Issue 03 / Tue Oct 01 00:00:00 BST 2013, pp 427 - 449

DOI: http://dx.doi.org/10.1017/S0261143013000305 (About DOI), Published online: Fri Sep 13 00:00:00 BST 2013

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The ‘one-man band’ and entrepreneurial selfhood in neoliberal culture The ‘one-man band’ and entrepreneurial selfhood in neoliberal culture

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Dale Chapman

Popular Music / Volume 32 / Issue 03 / Tue Oct 01 00:00:00 BST 2013, pp 451 - 470

DOI: http://dx.doi.org/10.1017/S0261143013000317 (About DOI), Published online: Fri Sep 13 00:00:00 BST 2013

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The World Has Made Me the Man of My Dreams: Meshell Ndegeocello and the ‘problem’ of Black female masculinity The World Has Made Me the Man of My Dreams: Meshell Ndegeocello and the ‘problem’ of Black female masculinity

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Shana Goldin-Perschbacher

Popular Music / Volume 32 / Issue 03 / Tue Oct 01 00:00:00 BST 2013, pp 471 - 496

DOI: http://dx.doi.org/10.1017/S0261143013000329 (About DOI), Published online: Fri Sep 13 00:00:00 BST 2013

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The estranged quotation in Israeli popular music The estranged quotation in Israeli popular music

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Yosef Goldenberg

Popular Music / Volume 32 / Issue 03 / Tue Oct 01 00:00:00 BST 2013, pp 497 - 519

DOI: http://dx.doi.org/10.1017/S0261143013000330 (About DOI), Published online: Fri Sep 13 00:00:00 BST 2013

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Reviews

Michael Jackson: Grasping the Spectacle. Edited by Christopher R. Smit. Farnham and Burlington, VT: Ashgate, 2012. 243 pp. ISBN 978-1-4094-4696-5 Michael Jackson: Grasping the Spectacle. Edited by Christopher R. Smit. Farnham and Burlington, VT: Ashgate, 2012. 243 pp. ISBN 978-1-4094-4696-5

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Stan Hawkins

Popular Music / Volume 32 / Issue 03 / Tue Oct 01 00:00:00 BST 2013, pp 521 - 523

DOI: http://dx.doi.org/10.1017/S0261143013000354 (About DOI), Published online: Fri Sep 13 00:00:00 BST 2013

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The Beatles and McLuhan: Understanding the Electric Age. By Thomas MacFarlane. Lanham, MD, Toronto and Plymouth: Scarecrow Press, 2013. 169 pp. ISBN: 978-0-8108-8432-8 The Beatles and McLuhan: Understanding the Electric Age. By Thomas MacFarlane. Lanham, MD, Toronto and Plymouth: Scarecrow Press, 2013. 169 pp. ISBN: 978-0-8108-8432-8

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Ian Inglis

Popular Music / Volume 32 / Issue 03 / Tue Oct 01 00:00:00 BST 2013, pp 523 - 525

DOI: http://dx.doi.org/10.1017/S0261143013000366 (About DOI), Published online: Fri Sep 13 00:00:00 BST 2013

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The New Guitarscape in Critical Theory, Cultural Practice and Musical Performance. By Kevin Dawe. Farnham: Ashgate, 2010. 227 pp. ISBN 978-0-754-66775-9 The New Guitarscape in Critical Theory, Cultural Practice and Musical Performance. By Kevin Dawe. Farnham: Ashgate, 2010. 227 pp. ISBN 978-0-754-66775-9

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Jamie Fyffe

Popular Music / Volume 32 / Issue 03 / Tue Oct 01 00:00:00 BST 2013, pp 525 - 527

DOI: http://dx.doi.org/10.1017/S0261143013000378 (About DOI), Published online: Fri Sep 13 00:00:00 BST 2013

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Unfree Masters: Recording Artists and the Politics of Work. By Matt Stahl. London: Duke, 2013. 296 pp. ISBN 978-0-8223-5343-0 Unfree Masters: Recording Artists and the Politics of Work. By Matt Stahl. London: Duke, 2013. 296 pp. ISBN 978-0-8223-5343-0

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Kenny Barr

Popular Music / Volume 32 / Issue 03 / Tue Oct 01 00:00:00 BST 2013, pp 527 - 529

DOI: http://dx.doi.org/10.1017/S026114301300038X (About DOI), Published online: Fri Sep 13 00:00:00 BST 2013

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The Library of Essays on Popular Music. General editor, Allan F. Moore. Aldershot, Ashgate, 2012.

Electronica, Dance and Club Music. Edited by Mark J. Butler. 536 pp. ISBN 978-0-754-62965-8

Roots Music. Edited by Mark F. DeWitt. 502 pp. ISBN 978-0-754-62962-7

Pop Music and Easy Listening. Edited by Stan Hawkins. 523 pp. ISBN 978-0-754-62952-8

Non-Western Popular Music. Edited by Tony Langlois. 600 pp. ISBN 978-0-754-62984-9

Popular Music and Multimedia. Edited by Julie McQuinn. 506 pp. ISBN 978-0-754-62961-0

Rock Music. Edited by Mark Spicer. 474 pp. ISBN 978-0-754-62956-6

Jazz. Edited by Tony Whyton. 532 pp. ISBN 978-0-754-62951-1 The Library of Essays on Popular Music. General editor, Allan F. Moore. Aldershot, Ashgate, 2012.

Electronica, Dance and Club Music. Edited by Mark J. Butler. 536 pp. ISBN 978-0-754-62965-8

Roots Music. Edited by Mark F. DeWitt. 502 pp. ISBN 978-0-754-62962-7

Pop Music and Easy Listening. Edited by Stan Hawkins. 523 pp. ISBN 978-0-754-62952-8

Non-Western Popular Music. Edited by Tony Langlois. 600 pp. ISBN 978-0-754-62984-9

Popular Music and Multimedia. Edited by Julie McQuinn. 506 pp. ISBN 978-0-754-62961-0

Rock Music. Edited by Mark Spicer. 474 pp. ISBN 978-0-754-62956-6

Jazz. Edited by Tony Whyton. 532 pp. ISBN 978-0-754-62951-1

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Dave Laing

Popular Music / Volume 32 / Issue 03 / Tue Oct 01 00:00:00 BST 2013, pp 529 - 534

DOI: http://dx.doi.org/10.1017/S0261143013000391 (About DOI), Published online: Fri Sep 13 00:00:00 BST 2013

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Reading the Grateful Dead: A Critical Survey. Edited by Nicholas G. Meriwether. Lanham, MD: Scarecrow Press, 2012. 321 pp. ISBN 978-0-8108-8371-0 Reading the Grateful Dead: A Critical Survey. Edited by Nicholas G. Meriwether. Lanham, MD: Scarecrow Press, 2012. 321 pp. ISBN 978-0-8108-8371-0

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Paul Friedlander

Popular Music / Volume 32 / Issue 03 / Tue Oct 01 00:00:00 BST 2013, pp 534 - 536

DOI: http://dx.doi.org/10.1017/S0261143013000408 (About DOI), Published online: Fri Sep 13 00:00:00 BST 2013

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Dangdut Stories: A Social and Musical History of Indonesia's Most Popular Music. By Andrew W. Weintraub. Oxford: Oxford University Press, 2010. 272 pp. ISBN 0-195-39567-0 Dangdut Stories: A Social and Musical History of Indonesia's Most Popular Music. By Andrew W. Weintraub. Oxford: Oxford University Press, 2010. 272 pp. ISBN 0-195-39567-0

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Jeroen Groenewegen-Lau

Popular Music / Volume 32 / Issue 03 / Tue Oct 01 00:00:00 BST 2013, pp 536 - 539

DOI: http://dx.doi.org/10.1017/S026114301300041X (About DOI), Published online: Fri Sep 13 00:00:00 BST 2013

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The Hollywood Film Music Reader. Edited by Mervyn Cooke. Oxford: Oxford University Press, 2010. 382 pp. ISBN 978-0-19-533119-6 The Hollywood Film Music Reader. Edited by Mervyn Cooke. Oxford: Oxford University Press, 2010. 382 pp. ISBN 978-0-19-533119-6

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Madhuja Mukherjee

Popular Music / Volume 32 / Issue 03 / Tue Oct 01 00:00:00 BST 2013, pp 539 - 541

DOI: http://dx.doi.org/10.1017/S0261143013000421 (About DOI), Published online: Fri Sep 13 00:00:00 BST 2013

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Music, Politics, and Violence. Edited by Susan Fast and Kip Pegley. Middletown, CT: Wesleyan University Press, 2012. 320 pp. ISBN 978-0-819-57338-4 Music, Politics, and Violence. Edited by Susan Fast and Kip Pegley. Middletown, CT: Wesleyan University Press, 2012. 320 pp. ISBN 978-0-819-57338-4

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Lily E. Hirsch

Popular Music / Volume 32 / Issue 03 / Tue Oct 01 00:00:00 BST 2013, pp 541 - 543

DOI: http://dx.doi.org/10.1017/S0261143013000433 (About DOI), Published online: Fri Sep 13 00:00:00 BST 2013

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Creación musical, cultura popular y construcción nacional en la España contemporánea. By Celsa Alonso et al. Madrid: Instituto Complutense de Ciencias Musicales, 2010. 347 pp. ISBN 978-8-489-45745-4

Transnational Encounters. Music and Performance at the U.S.–Mexico Border. Edited by Alejandro L. Madrid. New York: Oxford University Press, 2011. 406 pp. ISBN 978-0-199-73592-1

Flamenco Music and National Identity in Spain. By William Washabaugh. Farnham: Ashgate, 2012. 177 pp. ISBN 978-1-409-43484-9 Creación musical, cultura popular y construcción nacional en la España contemporánea. By Celsa Alonso et al. Madrid: Instituto Complutense de Ciencias Musicales, 2010. 347 pp. ISBN 978-8-489-45745-4

Transnational Encounters. Music and Performance at the U.S.–Mexico Border. Edited by Alejandro L. Madrid. New York: Oxford University Press, 2011. 406 pp. ISBN 978-0-199-73592-1

Flamenco Music and National Identity in Spain. By William Washabaugh. Farnham: Ashgate, 2012. 177 pp. ISBN 978-1-409-43484-9

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Eva Moreda Rodríguez

Popular Music / Volume 32 / Issue 03 / Tue Oct 01 00:00:00 BST 2013, pp 543 - 547

DOI: http://dx.doi.org/10.1017/S0261143013000445 (About DOI), Published online: Fri Sep 13 00:00:00 BST 2013

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Modernism and Popular Music. By Ronald Schleifer. Cambridge: Cambridge University Press, 2011. 233 pp. ISBN 978-1-107-00505-1 Modernism and Popular Music. By Ronald Schleifer. Cambridge: Cambridge University Press, 2011. 233 pp. ISBN 978-1-107-00505-1

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Stephen Graham

Popular Music / Volume 32 / Issue 03 / Tue Oct 01 00:00:00 BST 2013, pp 547 - 549

DOI: http://dx.doi.org/10.1017/S0261143013000457 (About DOI), Published online: Fri Sep 13 00:00:00 BST 2013

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China With a Cut: Globalisation, Urban Youth and Popular Music. By Jeroen de Kloet. Amsterdam: Amsterdam University Press, 2010. 255 pp. ISBN 978-9- 089-64162-5 China With a Cut: Globalisation, Urban Youth and Popular Music. By Jeroen de Kloet. Amsterdam: Amsterdam University Press, 2010. 255 pp. ISBN 978-9- 089-64162-5

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Anthony Fung

Popular Music / Volume 32 / Issue 03 / Tue Oct 01 00:00:00 BST 2013, pp 550 - 551

DOI: http://dx.doi.org/10.1017/S0261143013000469 (About DOI), Published online: Fri Sep 13 00:00:00 BST 2013

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Irish Music Abroad: Diasporic Sounds in Birmingham. By Angela Moran. Newcastle-upon-Tyne: Cambridge Scholars Publishing, 2012. 211 pp. ISBN 978-1-4438-4037-8 Irish Music Abroad: Diasporic Sounds in Birmingham. By Angela Moran. Newcastle-upon-Tyne: Cambridge Scholars Publishing, 2012. 211 pp. ISBN 978-1-4438-4037-8

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Gerry Smyth

Popular Music / Volume 32 / Issue 03 / Tue Oct 01 00:00:00 BST 2013, pp 552 - 553

DOI: http://dx.doi.org/10.1017/S0261143013000470 (About DOI), Published online: Fri Sep 13 00:00:00 BST 2013

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Reverberations of Dissent. Identity and Expression in Iran's Illegal Music Scene. By Bronwen Robertson. London & New York: Continuum, 2012. 162 pp. ISBN 978-1-441-12325-1 Reverberations of Dissent. Identity and Expression in Iran's Illegal Music Scene. By Bronwen Robertson. London & New York: Continuum, 2012. 162 pp. ISBN 978-1-441-12325-1

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Antti-Ville Kärjä

Popular Music / Volume 32 / Issue 03 / Tue Oct 01 00:00:00 BST 2013, pp 554 - 555

DOI: http://dx.doi.org/10.1017/S0261143013000482 (About DOI), Published online: Fri Sep 13 00:00:00 BST 2013

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Front Cover (OFC, IFC) and matter

PMU volume 32 issue 3 Cover and Front matter PMU volume 32 issue 3 Cover and Front matter

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Popular Music / Volume 32 / Issue 03 / Tue Oct 01 00:00:00 BST 2013, pp f1 - f6

DOI: http://dx.doi.org/10.1017/S026114301300024X (About DOI), Published online: Fri Sep 13 00:00:00 BST 2013

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Back Cover (IBC, OBC) and matter

PMU volume 32 issue 3 Cover and Back matter PMU volume 32 issue 3 Cover and Back matter

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Popular Music / Volume 32 / Issue 03 / Tue Oct 01 00:00:00 BST 2013, pp b1 - b9

DOI: http://dx.doi.org/10.1017/S0261143013000251 (About DOI), Published online: Fri Sep 13 00:00:00 BST 2013

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