Organised Sound

An International Journal of Music and Technology

Table of Contents - Volume  18  - Special Issue 02 (Best Practices in the Pedagogy of Electroacoustic Music and its Technology) - Thu Aug 01 00:00:00 BST 2013

Editorial

Editorial

 
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Mary Simoni

Organised Sound / Volume  18 / Special Issue 02 / Thu Aug 01 00:00:00 BST 2013, pp 99 - 100

Copyright © Cambridge University Press 2013 

DOI: http://dx.doi.org/10.1017/S1355771813000010 (About DOI), Published online: Thu Jul 11 00:00:00 BST 2013

 

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Articles

Tradition and Transformation: Addressing the gap between electroacoustic music and the middle and secondary school curriculum

 
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Jeffrey Martin

Organised Sound / Volume  18 / Special Issue 02 / Thu Aug 01 00:00:00 BST 2013, pp 101 - 107

Copyright © Cambridge University Press 2013 

DOI: http://dx.doi.org/10.1017/S1355771813000022 (About DOI), Published online: Thu Jul 11 00:00:00 BST 2013

 

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Widening Participation in Electroacoustic Music: The EARS 2 pedagogical initiatives

 
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Leigh Landy, Richard Hall and Mike Uwins

Organised Sound / Volume  18 / Special Issue 02 / Thu Aug 01 00:00:00 BST 2013, pp 108 - 123

Copyright © Cambridge University Press 2013 

DOI: http://dx.doi.org/10.1017/S1355771813000034 (About DOI), Published online: Thu Jul 11 00:00:00 BST 2013

 

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The Appreciation of Electroacoustic Music: The prototype of the pedagogical ElectroAcoustic Resource Site

 
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Motje Wolf

Organised Sound / Volume  18 / Special Issue 02 / Thu Aug 01 00:00:00 BST 2013, pp 124 - 133

Copyright © Cambridge University Press 2013 

DOI: http://dx.doi.org/10.1017/S1355771813000046 (About DOI), Published online: Thu Jul 11 00:00:00 BST 2013

 

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Learn to Think for Yourself: Impelled by UPIC to open new ways of composing

 
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Rodolphe Bourotte and Cyrille Delhaye

Organised Sound / Volume  18 / Special Issue 02 / Thu Aug 01 00:00:00 BST 2013, pp 134 - 145

Copyright © Cambridge University Press 2013 

DOI: http://dx.doi.org/10.1017/S1355771813000058 (About DOI), Published online: Thu Jul 11 00:00:00 BST 2013

 

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EarSketch: An integrated approach to teaching introductory computer music

 
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Scott McCoid, Jason Freeman, Brian Magerko, Christopher Michaud, Tom Jenkins, Tom Mcklin and Hera Kan

Organised Sound / Volume  18 / Special Issue 02 / Thu Aug 01 00:00:00 BST 2013, pp 146 - 160

Copyright © Cambridge University Press 2013 

DOI: http://dx.doi.org/10.1017/S135577181300006X (About DOI), Published online: Thu Jul 11 00:00:00 BST 2013

 

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For a Didactical Approach to Electroacoustic Musics: The example of Metallics by Yan Maresz

 
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Pascal Terrien

Organised Sound / Volume  18 / Special Issue 02 / Thu Aug 01 00:00:00 BST 2013, pp 161 - 169

Copyright © Cambridge University Press 2013 

DOI: http://dx.doi.org/10.1017/S1355771813000071 (About DOI), Published online: Thu Jul 11 00:00:00 BST 2013

 

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Live Electronics in Practice: Approaches to training professional performers

 
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Jamie Bullock, Lamberto Coccioli, James Dooley and Tychonas Michailidis

Organised Sound / Volume  18 / Special Issue 02 / Thu Aug 01 00:00:00 BST 2013, pp 170 - 177

Copyright © Cambridge University Press 2013 

DOI: http://dx.doi.org/10.1017/S1355771813000083 (About DOI), Published online: Thu Jul 11 00:00:00 BST 2013

 

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An Action–Sound Approach to Teaching Interactive Music

 
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Alexander Refsum Jensenius

Organised Sound / Volume  18 / Special Issue 02 / Thu Aug 01 00:00:00 BST 2013, pp 178 - 189

Copyright © Cambridge University Press 2013 

DOI: http://dx.doi.org/10.1017/S1355771813000095 (About DOI), Published online: Thu Jul 11 00:00:00 BST 2013

 

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Failure, Neuroscience and Success: Differentiating the pedagogies of music technology from electroacoustic composition

 
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Christopher J. Keyes

Organised Sound / Volume  18 / Special Issue 02 / Thu Aug 01 00:00:00 BST 2013, pp 190 - 200

Copyright © Cambridge University Press 2013 

DOI: http://dx.doi.org/10.1017/S1355771813000101 (About DOI), Published online: Thu Jul 11 00:00:00 BST 2013

 

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Consilient Spheres of Influence in a Land Grant Setting

 
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Mark Ballora and Curtis Craig

Organised Sound / Volume  18 / Special Issue 02 / Thu Aug 01 00:00:00 BST 2013, pp 201 - 206

Copyright © Cambridge University Press 2013 

DOI: http://dx.doi.org/10.1017/S1355771813000113 (About DOI), Published online: Thu Jul 11 00:00:00 BST 2013

 

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A Collaborative Approach to Teaching Sound Sculpting, Embodied Listening and the Materiality of Sound

 
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Doug Van Nort

Organised Sound / Volume  18 / Special Issue 02 / Thu Aug 01 00:00:00 BST 2013, pp 207 - 217

Copyright © Cambridge University Press 2013 

DOI: http://dx.doi.org/10.1017/S1355771813000125 (About DOI), Published online: Thu Jul 11 00:00:00 BST 2013

 

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The Maximal–Minimal Model: A framework for evaluating and comparing experience of voice in electroacoustic music

 
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Andreas Bergsland

Organised Sound / Volume  18 / Special Issue 02 / Thu Aug 01 00:00:00 BST 2013, pp 218 - 228

Copyright © Cambridge University Press 2013 

DOI: http://dx.doi.org/10.1017/S1355771813000137 (About DOI), Published online: Thu Jul 11 00:00:00 BST 2013

 

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Book Reviews

Leigh Landy, Making Music with Sounds. New York: Routledge, 2012. ISBN 978-0-415-89846-1 and 978-0-415-80678-7 (hard cover)

 
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Duncan Chapman

Organised Sound / Volume  18 / Special Issue 02 / Thu Aug 01 00:00:00 BST 2013, pp 229 - 231

Copyright © Cambridge University Press 2013 

DOI: http://dx.doi.org/10.1017/S1355771813000149 (About DOI), Published online: Thu Jul 11 00:00:00 BST 2013

 

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Alessandro Cipriani and Maurizio Giri, Electronic Music and Sound Design: Theory and Practice with Max/MSP, Volume 1, trans. David Stutz. Rome: Contemponet, 2010. ISBN: 978-88-905484-0-6 (Italian version: Musica elettronica e sound design: teoria e pratica con Max e MSP; ISBN 978-88905484-3-7)

 
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Bret Battey and Panos Amelides

Organised Sound / Volume  18 / Special Issue 02 / Thu Aug 01 00:00:00 BST 2013, pp 231 - 232

Copyright © Cambridge University Press 2013 

DOI: http://dx.doi.org/10.1017/S1355771813000150 (About DOI), Published online: Thu Jul 11 00:00:00 BST 2013

 

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DVD Information

Sound and movie examples – issue 18(2)

 
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Organised Sound / Volume  18 / Special Issue 02 / Thu Aug 01 00:00:00 BST 2013, pp 233 - 233

Copyright © Cambridge University Press 2013 

DOI: http://dx.doi.org/10.1017/S1355771813000162 (About DOI), Published online: Thu Jul 11 00:00:00 BST 2013

 

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Front Cover (OFC, IFC) and matter

OSO volume 18 issue 2 Cover and Front matter

 
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Organised Sound / Volume  18 / Special Issue 02 / Thu Aug 01 00:00:00 BST 2013, pp f1 - f2

Copyright © Cambridge University Press 2013 

DOI: http://dx.doi.org/10.1017/S1355771813000174 (About DOI), Published online: Thu Jul 11 00:00:00 BST 2013

 

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Back Cover (OBC, IBC) and matter

OSO volume 18 issue 2 Cover and Back matter

 
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Organised Sound / Volume  18 / Special Issue 02 / Thu Aug 01 00:00:00 BST 2013, pp b1 - b3

Copyright © Cambridge University Press 2013 

DOI: http://dx.doi.org/10.1017/S1355771813000186 (About DOI), Published online: Thu Jul 11 00:00:00 BST 2013

 

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