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Cambridge Opera Journal

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Vol. 17 Issue 01

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Table of Contents - Volume 17 - Issue 01 - 2005

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Regular Articles

Wagner's last chorus: Consecrating space and spectatorship in Parsifal Wagner's last chorus: Consecrating space and spectatorship in Parsifal

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RYAN MINOR

Cambridge Opera Journal / Volume 17 / Issue 01 / March 2005, pp 1 - 36

2005 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S0954586705001965 (About DOI), Published online: 08 June 2005

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Variations on the Dance of the Seven Veils Variations on the Dance of the Seven Veils

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DAVINIA CADDY

Cambridge Opera Journal / Volume 17 / Issue 01 / March 2005, pp 37 - 58

2005 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S095458670500193X (About DOI), Published online: 08 June 2005

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Cinematic realism, reflexivity and the American ‘Madame Butterfly’ narratives Cinematic realism, reflexivity and the American ‘Madame Butterfly’ narratives

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W. ANTHONY SHEPPARD

Cambridge Opera Journal / Volume 17 / Issue 01 / March 2005, pp 59 - 93

2005 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S0954586705001941 (About DOI), Published online: 08 June 2005

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Book reviews

Mark Everist, Music Drama at the Paris Odéon, 1824–1828. Berkeley and Los Angeles: University of California Press, 2002. 332pp. John D. Drysdale, Louis Véron and the Finances of the Académie Royale de Musique. Frankfurt am Main: Peter Lang, 2003. 261pp. Mark Everist, Music Drama at the Paris Odéon, 1824–1828. Berkeley and Los Angeles: University of California Press, 2002. 332pp. John D. Drysdale, Louis Véron and the Finances of the Académie Royale de Musique. Frankfurt am Main: Peter Lang, 2003. 261pp.

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Benjamin Walton

Cambridge Opera Journal / Volume 17 / Issue 01 / March 2005, pp 95 - 104

2005 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S0954586705001953 (About DOI), Published online: 08 June 2005

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