Nineteenth-Century Music Review Vol. 10 Issue 01

Nineteenth-Century Music Review

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Table of Contents - Volume 10 - Issue 01 - Sat Jun 01 00:00:00 BST 2013

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Research Articles

Robert, Clara and the Transformation of Poetic Irony in Schumann's Lieder: The Case of ‘Dein Angesicht’ Robert, Clara and the Transformation of Poetic Irony in Schumann's Lieder: The Case of ‘Dein Angesicht’

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Benjamin Binder

Nineteenth-Century Music Review / Volume 10 / Issue 01 / Sat Jun 01 00:00:00 BST 2013, pp 1 - 28

DOI: http://dx.doi.org/10.1017/S1479409813000025 (About DOI), Published online: Mon Jun 17 00:00:00 BST 2013

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From Tragedy to Melodrama: Rethinking Liszt's Hamlet From Tragedy to Melodrama: Rethinking Liszt's Hamlet

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Joanne Cormac

Nineteenth-Century Music Review / Volume 10 / Issue 01 / Sat Jun 01 00:00:00 BST 2013, pp 29 - 55

DOI: http://dx.doi.org/10.1017/S1479409813000037 (About DOI), Published online: Mon Jun 17 00:00:00 BST 2013

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The Howgill Family: A Dynasty of Musicians from Georgian Whitehaven The Howgill Family: A Dynasty of Musicians from Georgian Whitehaven

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Simon D. I. Fleming

Nineteenth-Century Music Review / Volume 10 / Issue 01 / Sat Jun 01 00:00:00 BST 2013, pp 57 - 100

DOI: http://dx.doi.org/10.1017/S1479409813000049 (About DOI), Published online: Mon Jun 17 00:00:00 BST 2013

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Brahms, Kierkegaard and Repetition: Three Intermezzi Brahms, Kierkegaard and Repetition: Three Intermezzi

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Tim Howell

Nineteenth-Century Music Review / Volume 10 / Issue 01 / Sat Jun 01 00:00:00 BST 2013, pp 101 - 117

DOI: http://dx.doi.org/10.1017/S1479409813000050 (About DOI), Published online: Mon Jun 17 00:00:00 BST 2013

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Miniatures of a Monumentalist: Berlioz's Romances, 1842–1850 Miniatures of a Monumentalist: Berlioz's Romances, 1842–1850

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Stephen Rodgers

Nineteenth-Century Music Review / Volume 10 / Issue 01 / Sat Jun 01 00:00:00 BST 2013, pp 119 - 149

DOI: http://dx.doi.org/10.1017/S1479409813000062 (About DOI), Published online: Mon Jun 17 00:00:00 BST 2013

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Ernest Newman's Draft of a Berlioz Biography (1899) and its Appropriation of Emile Hennequin's Style Theory Ernest Newman's Draft of a Berlioz Biography (1899) and its Appropriation of Emile Hennequin's Style Theory

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Paul Watt

Nineteenth-Century Music Review / Volume 10 / Issue 01 / Sat Jun 01 00:00:00 BST 2013, pp 151 - 168

DOI: http://dx.doi.org/10.1017/S1479409813000074 (About DOI), Published online: Mon Jun 17 00:00:00 BST 2013

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Book Reviews

Suzannah Clark, Analyzing Schubert (Cambridge: Cambridge University Press, 2011). x+290 pp. £60.00. Suzannah Clark, Analyzing Schubert (Cambridge: Cambridge University Press, 2011). x+290 pp. £60.00.

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Xavier Hascher

Nineteenth-Century Music Review / Volume 10 / Issue 01 / Sat Jun 01 00:00:00 BST 2013, pp 169 - 173

DOI: http://dx.doi.org/10.1017/S1479409813000086 (About DOI), Published online: Mon Jun 17 00:00:00 BST 2013

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William Drabkin ed., Ludwig van Beethoven: A Sketchbook from the Year 1821 (Artaria 197): Sketches for the Agnus Dei and other movements of the Missa solemnis, the Piano Sonatas Op. 110 and Op. 111, and the Canon WoO 182, Vol. I: Facsimile, 88 pp; Vol. II: Transcription and Commentary, 97 pp (Bonn: Verlag Beethoven-Haus, 2010). € 186,00. William Drabkin ed., Ludwig van Beethoven: A Sketchbook from the Year 1821 (Artaria 197): Sketches for the Agnus Dei and other movements of the Missa solemnis, the Piano Sonatas Op. 110 and Op. 111, and the Canon WoO 182, Vol. I: Facsimile, 88 pp; Vol. II: Transcription and Commentary, 97 pp (Bonn: Verlag Beethoven-Haus, 2010). € 186,00.

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Nicholas Marston

Nineteenth-Century Music Review / Volume 10 / Issue 01 / Sat Jun 01 00:00:00 BST 2013, pp 174 - 178

DOI: http://dx.doi.org/10.1017/S1479409813000098 (About DOI), Published online: Mon Jun 17 00:00:00 BST 2013

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Kristina Muxfeldt, Vanishing Sensibilities: Schubert, Beethoven, Schumann (New York: Oxford University Press, 2012). $39.95. Kristina Muxfeldt, Vanishing Sensibilities: Schubert, Beethoven, Schumann (New York: Oxford University Press, 2012). \$39.95.

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Laura Tunbridge

Nineteenth-Century Music Review / Volume 10 / Issue 01 / Sat Jun 01 00:00:00 BST 2013, pp 178 - 182

DOI: http://dx.doi.org/10.1017/S1479409813000104 (About DOI), Published online: Mon Jun 17 00:00:00 BST 2013

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Leo Treitler, Reflections on Musical Meaning and its Representations (Bloomington and Indianapolis: Indiana University Press, 2011). xii + 317 pp. $35.00. Leo Treitler, Reflections on Musical Meaning and its Representations (Bloomington and Indianapolis: Indiana University Press, 2011). xii + 317 pp. \$35.00.

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Scott Burnham

Nineteenth-Century Music Review / Volume 10 / Issue 01 / Sat Jun 01 00:00:00 BST 2013, pp 182 - 187

DOI: http://dx.doi.org/10.1017/S1479409813000116 (About DOI), Published online: Mon Jun 17 00:00:00 BST 2013

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Nicholas Vazsonyi, Richard Wagner: Self-Promotion and the Making of a Brand (Cambridge: Cambridge University Press, 2010). xii + 222 pp. £22.00.

James Garratt, Music, Culture and Social Reform in the Age of Wagner (Cambridge: Cambridge University Press, 2010). xi + 292 pp. £58.00. Nicholas Vazsonyi, Richard Wagner: Self-Promotion and the Making of a Brand (Cambridge: Cambridge University Press, 2010). xii + 222 pp. £22.00.

James Garratt, Music, Culture and Social Reform in the Age of Wagner (Cambridge: Cambridge University Press, 2010). xi + 292 pp. £58.00.

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Áine Sheil

Nineteenth-Century Music Review / Volume 10 / Issue 01 / Sat Jun 01 00:00:00 BST 2013, pp 187 - 192

DOI: http://dx.doi.org/10.1017/S1479409813000165 (About DOI), Published online: Mon Jun 17 00:00:00 BST 2013

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CD Review

Clara Rodríguez, Clara Rodríguez Plays the Music of Teresa Carreño (2002), CD, Nimbus Alliance B001URCWXK (2009). Clara Rodríguez, Clara Rodríguez Plays the Music of Teresa Carreño (2002), CD, Nimbus Alliance B001URCWXK (2009).

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Hermann Hudde

Nineteenth-Century Music Review / Volume 10 / Issue 01 / Sat Jun 01 00:00:00 BST 2013, pp 193 - 195

DOI: http://dx.doi.org/10.1017/S1479409813000128 (About DOI), Published online: Mon Jun 17 00:00:00 BST 2013

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Score Reviews

Federico G. Vollmer: Obras para Piano, edited by Eduardo Lecuna, Clásicos de la literatura pianística venezolana, Vol. 9. Caracas: Fondo Editorial de Humanidades y Educación de la Universidad Central de Venezuela, Fundación Vicente Emilio Sojo and Alberto Vollmer Foundation, 2008. 117pp. Bs.F. 90,00. Federico G. Vollmer: Obras para Piano, edited by Eduardo Lecuna, Clásicos de la literatura pianística venezolana, Vol. 9. Caracas: Fondo Editorial de Humanidades y Educación de la Universidad Central de Venezuela, Fundación Vicente Emilio Sojo and Alberto Vollmer Foundation, 2008. 117pp. Bs.F. 90,00.

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Hermann Hudde

Nineteenth-Century Music Review / Volume 10 / Issue 01 / Sat Jun 01 00:00:00 BST 2013, pp 197 - 198

DOI: http://dx.doi.org/10.1017/S1479409813000141 (About DOI), Published online: Mon Jun 17 00:00:00 BST 2013

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Johannes Brahms. Albumblatt für Klavier. Edited by Christopher Hogwood. Bärenreiter 9606. (Kassel, Basel, London, New York, Prague: Bärenreiter, 2012), v + 4pp., € 4,95.

Johannes Brahms. Walzer Op. 39. Edited by Christian Köhn. Bärenreiter 9602. (Series Bärenreiter Urtext, 2011), vii + 20pp., € 7,00.

Johannes Brahms. Walzer Op. 39, Leichte Ausgabe. Edited by Christian Köhn. Bärenreiter 9603. (Series Bärenreiter Urtext, 2011), ix + 18pp., € 7,00.

Johannes Brahms. Zwei Lieder für Männerstimmen a cappella. Edited by Helmut Lauterwasser. Chor-Bibliothek 5321. (Weisbaden, Leipzig, Paris: Breitkopf & Härtel, 2010), 8pp., € 2,30. Johannes Brahms. Albumblatt für Klavier. Edited by Christopher Hogwood. Bärenreiter 9606. (Kassel, Basel, London, New York, Prague: Bärenreiter, 2012), v + 4pp., € 4,95.

Johannes Brahms. Walzer Op. 39. Edited by Christian Köhn. Bärenreiter 9602. (Series Bärenreiter Urtext, 2011), vii + 20pp., € 7,00.

Johannes Brahms. Walzer Op. 39, Leichte Ausgabe. Edited by Christian Köhn. Bärenreiter 9603. (Series Bärenreiter Urtext, 2011), ix + 18pp., € 7,00.

Johannes Brahms. Zwei Lieder für Männerstimmen a cappella. Edited by Helmut Lauterwasser. Chor-Bibliothek 5321. (Weisbaden, Leipzig, Paris: Breitkopf & Härtel, 2010), 8pp., € 2,30.

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Sarah Elaine Neill

Nineteenth-Century Music Review / Volume 10 / Issue 01 / Sat Jun 01 00:00:00 BST 2013, pp 198 - 201

DOI: http://dx.doi.org/10.1017/S147940981300013X (About DOI), Published online: Mon Jun 17 00:00:00 BST 2013

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van Beethoven Ludwig. Concerto in C major, for Pianoforte, Violin, Violoncello and Orchestra ‘Triple Concerto’, Op. 56. Edited by Jonathan Del Mar. Bärenreiter-Verlag Urtext. Kassel: Bärenreiter-Verlag Karl Vötterle GmbH und Co. KG, 2012. viii, 154 pp., score BA 9027, € 55,00; piano reduction and set of piano, violin, and violoncello parts, 91/44/19/19 pp., BA 9027-90, € 37,95; critical report, 51 pp., BA 9027-40, € 39,95. van Beethoven Ludwig. Concerto in C major, for Pianoforte, Violin, Violoncello and Orchestra ‘Triple Concerto’, Op. 56. Edited by Jonathan Del Mar. Bärenreiter-Verlag Urtext. Kassel: Bärenreiter-Verlag Karl Vötterle GmbH und Co. KG, 2012. viii, 154 pp., score BA 9027, € 55,00; piano reduction and set of piano, violin, and violoncello parts, 91/44/19/19 pp., BA 9027-90, € 37,95; critical report, 51 pp., BA 9027-40, € 39,95.

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Katherina Uhde

Nineteenth-Century Music Review / Volume 10 / Issue 01 / Sat Jun 01 00:00:00 BST 2013, pp 201 - 206

DOI: http://dx.doi.org/10.1017/S1479409813000153 (About DOI), Published online: Mon Jun 17 00:00:00 BST 2013

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Front Cover (OFC, IFC) and matter

NCM volume 10 issue 1 Cover and Front matter NCM volume 10 issue 1 Cover and Front matter

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Nineteenth-Century Music Review / Volume 10 / Issue 01 / Sat Jun 01 00:00:00 BST 2013, pp f1 - f4

DOI: http://dx.doi.org/10.1017/S1479409813000177 (About DOI), Published online: Mon Jun 17 00:00:00 BST 2013

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Back Cover (OBC, IBC) and matter

NCM volume 10 issue 1 Cover and Back matter NCM volume 10 issue 1 Cover and Back matter

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Nineteenth-Century Music Review / Volume 10 / Issue 01 / Sat Jun 01 00:00:00 BST 2013, pp b1 - b2

DOI: http://dx.doi.org/10.1017/S1479409813000189 (About DOI), Published online: Mon Jun 17 00:00:00 BST 2013

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Nineteenth-Century Music Review

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