Cambridge Journals Online - Early Music History Vol. 32

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Early Music History

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Vol. 32

Early Music History

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Table of Contents - Volume 32 - Tue Jan 01 00:00:00 GMT 2013

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Research Articles

CONTRAFACTA AND TRANSCRIBED MOTETS: VERNACULAR INFLUENCES ON LATIN MOTETS AND CLAUSULAE IN THE FLORENCE MANUSCRIPT CONTRAFACTA AND TRANSCRIBED MOTETS: VERNACULAR INFLUENCES ON LATIN MOTETS AND CLAUSULAE IN THE FLORENCE MANUSCRIPT

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Catherine A. Bradley

Early Music History / Volume 32 / Tue Jan 01 00:00:00 GMT 2013, pp 1 - 70

Copyright © Cambridge University Press 2013

DOI: http://dx.doi.org/10.1017/S0261127913000016 (About DOI), Published online: Fri Sep 27 00:00:00 BST 2013

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REFUSAL, THE LOOK OF LOVE, AND THE BEASTLY WOMAN OF MACHAUT'S BALADES 27 AND 38 REFUSAL, THE LOOK OF LOVE, AND THE BEASTLY WOMAN OF MACHAUT'S BALADES 27 AND 38

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Karen Desmond

Early Music History / Volume 32 / Tue Jan 01 00:00:00 GMT 2013, pp 71 - 118

Copyright © Cambridge University Press 2013

DOI: http://dx.doi.org/10.1017/S0261127913000028 (About DOI), Published online: Fri Sep 27 00:00:00 BST 2013

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THE MODERN INVENTION OF THE ‘TENORLIED’: A HISTORIOGRAPHY OF THE EARLY GERMAN LIED SETTING THE MODERN INVENTION OF THE ‘TENORLIED’: A HISTORIOGRAPHY OF THE EARLY GERMAN LIED SETTING

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Andrea Lindmayr-Brandl

Early Music History / Volume 32 / Tue Jan 01 00:00:00 GMT 2013, pp 119 - 177

Copyright © Cambridge University Press 2013

DOI: http://dx.doi.org/10.1017/S026112791300003X (About DOI), Published online: Fri Sep 27 00:00:00 BST 2013

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A NEW LINK BETWEEN THE MOTET AND TROUVÈRE CHANSON: THE PEDES-CUM-CAUDA MOTET A NEW LINK BETWEEN THE MOTET AND TROUVÈRE CHANSON: THE PEDES-CUM-CAUDA MOTET

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Gaël Saint-Cricq

Early Music History / Volume 32 / Tue Jan 01 00:00:00 GMT 2013, pp 179 - 223

Copyright © Cambridge University Press 2013

DOI: http://dx.doi.org/10.1017/S0261127913000077 (About DOI), Published online: Fri Sep 27 00:00:00 BST 2013

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SINGING THE HICCUP – ON TEXTING THE HOCKET SINGING THE HICCUP – ON TEXTING THE HOCKET

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Thomas Schmidt-Beste

Early Music History / Volume 32 / Tue Jan 01 00:00:00 GMT 2013, pp 225 - 275

Copyright © Cambridge University Press 2013

DOI: http://dx.doi.org/10.1017/S0261127913000041 (About DOI), Published online: Fri Sep 27 00:00:00 BST 2013

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TWO NEWLY DISCOVERED TENTH-CENTURY ORGANA TWO NEWLY DISCOVERED TENTH-CENTURY ORGANA

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Giovanni Varelli

Early Music History / Volume 32 / Tue Jan 01 00:00:00 GMT 2013, pp 277 - 315

Copyright © Cambridge University Press 2013

DOI: http://dx.doi.org/10.1017/S0261127913000053 (About DOI), Published online: Fri Sep 27 00:00:00 BST 2013

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Reviews

Gretchen Peters, The Musical Sounds of Medieval French Cities: Players, Patrons, and Politics. Cambridge: Cambridge University Press, 2012. x+297 pp. ISBN 978-1-107-01061-1. doi:10.1017/S0261127913000089 Gretchen Peters, The Musical Sounds of Medieval French Cities: Players, Patrons, and Politics. Cambridge: Cambridge University Press, 2012. x+297 pp. ISBN 978-1-107-01061-1. doi:10.1017/S0261127913000089

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Keith Polk

Early Music History / Volume 32 / Tue Jan 01 00:00:00 GMT 2013, pp 317 - 323

Copyright © Cambridge University Press 2013

DOI: http://dx.doi.org/10.1017/S0261127913000089 (About DOI), Published online: Fri Sep 27 00:00:00 BST 2013

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Front Cover (OFC, IFC) and matter

EMH volume 32 Cover and Front matter EMH volume 32 Cover and Front matter

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Early Music History / Volume 32 / Tue Jan 01 00:00:00 GMT 2013, pp f1 - f8

Copyright © Cambridge University Press 2013

DOI: http://dx.doi.org/10.1017/S0261127913000090 (About DOI), Published online: Fri Sep 27 00:00:00 BST 2013

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Back Cover (IBC, OBC) and matter

EMH volume 32 Cover and Back matter EMH volume 32 Cover and Back matter

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Early Music History / Volume 32 / Tue Jan 01 00:00:00 GMT 2013, pp b1 - b3

Copyright © Cambridge University Press 2013

DOI: http://dx.doi.org/10.1017/S0261127913000107 (About DOI), Published online: Fri Sep 27 00:00:00 BST 2013

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